Appendix: Collected Footnotes

i.
Cultrum spray-painted on a wall in Bariloche, Argentina

ii.
One stylized four-way peace sign made by J. Patrick Walsh III. Other versions of his design
are rounded like the Mapuche symbol.

iii.
Cultrums on the flag of a Mapuche community in Santiago (L), and the symbol on a drum (R)

iv. Also known as Ñandu, a relative of the Ostrich

v.
A Motorcyclist in Patagonia

vi. The intensities and resolutions at the diffraction focus of optical systems with rotationally symmetric minimum-variance aberration functions as well as functions with slight variations from this shape and a prescribed fixed maximum deviation value at the edge of the exit pupil are calculated for circular and annular exit pupils. The results for the intensity at the diffraction focus obtained either by numerical integration of the diffraction integral or by using the Maréchal formula show that the maxima of these intensities are achieved for optical systems with wave aberration functions of minimum variance, thus verifying the Maréchal criterion. The resolutions (first zeros of the intensities in the radial direction) at this diffraction focus are also presented.

—Claudio Rivolta, "Intensity and resolution at the diffraction focus of optical systems with rotationally symmetric aberration functions," Appl. Opt. 31, 4444-4452 (1992)

vii.

viii.
Flyer from a Trading Post event in LA, Polaroid of Daniel at a Trading Post in Oakland

ix.
1087 N. Hermitage before and after demolition

x.

xi.
Poster for Endless Summer (1966)

xii.

xiii.
Robot Jams Mix by Gabriel Fowler. This picture was taken during the documentation of everything I owned before I left Chicago. Click for link to the video (http://www.vimeo.com/5988426)

xiv.
Afrika Bambaataa as Amen-Ra, an Egyptian solar deity

xv.
The Heliocentric Worlds of Sun Ra (1965)

xvi.

xvii.

xviii.
Westward Terminus (2007). A sign manipulation made at the 16th St. Station in West Oakland

xix.
1992 Geo Metro (translation: World City)

xx.

xxi.
Comparison of the replica Empire State Building in Las Vegas to original in New York City, from street level angle and side view (replica on the left of each pair). The replica is optimized to look like the original from the POV of foot traffic by forced foreshortening of the top floors.

xxii. The Great Unconformity is a geologic feature where two adjacent layers of rock were not formed one after another in the earth's development. The lower layer was always at a high point, undergoing erosion, and in this case for an extended time, even in geological terms. The Great Unconformity is visible in different places in the U.S.. It is one of many unconformities that exist around the world and one of the largest. At Frenchman Mountain in Nevada, there is a gap of about 1.2 billion years where the rock jumps from 500 million years old to 1.7 billion years old. In the Grand Canyon, the clearly visible discontinuity represents a time gap that varies from about 250 million years to 1.2 billion years. The Great Unconformity's missing 1.2 billion years represents about 25% of the earth's history. (Wikipedia)

xxiii.

xxiv.
Frenchman Mountain, site of The Great Unconformity, silhouetted in front of the glow of Las Vegas

xxv.
Aerial view of S.P. Mountain, lava flow goes roughly four miles to the north

xxvi. Approx. 71,000 years ago.

xxvii.
Diagram of projection

xxviii. Roden Crater, about 30 miles east of S.P. Mountain. Turrell mentions S.P. Mountain here: http://www.pbs.org/art21/artists/turrell/clip1.html

xxix.

xxx.
Self Portrait on Shit Pot Mountain

xxxi.
The Old Mill: the first building in Tempe, taken from “A” Mountain

xxxii.
Aerial view of the domes near Casa Grande, AZ

xxxiii.
One of the smaller structures

xxxiv. More images viewable at http://www.flickr.com/photos/cayetanoferrer/sets/72157594461456687/

xxxv.
Schematic of Arcosanti, AZ

xxxvi.

xxxvii.

xxxviii.

xxxix.

xl.